Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Nabilah Nordin, 'The Tie and the Undercoat', 2022. Wood, mouldable plastic, epoxy modelling compound, spray paint, walking stick, 123 x 45 x 36 cm.
Nabilah Nordin, 'Ballroom', 2022. Wood, foam, epoxy, modelling compound, wire, acrylic lacquer, powdered pigments, 201 x 74 x 72 cm.
Nabilah Nordin, 'Bread Prison', 2022. Flour, water, salt, wood, epoxy modelling compound, polyurethane pigments, epoxy glass resin, 194 x 82 x 130 cm.
Nabilah Nordin, 'Academy', 2022. Welded hot rolled steel, MDF, clay, plaster, papier mâché, adhesives, acrylic paint, 154 x 47 x 88 cm.
Nabilah Nordin, 'Twin Caterers', 2022. Wood, epoxy modelling compound, polyurethane pigments, spray paint, acrylic paint, 53 x 43 x 22 cm.
Nabilah Nordin, 'Treasuredome', 2022. Wood, epoxy modelling, compound, powdered pigments, pyrite, spray paint, necklace, beads, 63 x 27.5 x 21 cm.
Nabilah Nordin, 'The Athlete Wins Again', 2022. Wood, epoxy modelling compound, spray paint, gloss varnish, 72.5 x 21 x 27 cm.
Nabilah Nordin, 'Fortune Nights', 2022. Wood, epoxy modelling compound, foam, powdered pigments, glass ball, spray paint, 42 x 37.5 x 14 cm.
Nabilah Nordin, 'Molten Slayer', 2022. Wood, foam, canvas, epoxy modelling compound, spray paint, 339 x 129 x 96 cm.
Nabilah Nordin, 'Opal', 2022. Epoxy modelling compound, mouldable plastic, polyurethane pigment, spray paint, construction adhesives, wood, 65 x 35 x 26 cm.
Nabilah Nordin, 'Luxury Lounger', 2022. Welded steel, structural wire mesh, cement, sand, hydrated lime, cement fibres, mortar plasticiser, cement waterproofer, polyurethane insulation, synthetic iron oxide, exterior undercoat, epoxy modelling compound, water based acrylic spray paint, concrete sealer, 75 x 90 x 210 cm.
Nabilah Nordin, 'Twizzle', 2022. Epoxy modelling compound, mouldable plastic, polyurethane pigment, spray paint, construction adhesives, wood, 65 x 37 x 35 cm.
Nabilah Nordin, 'Fortune Net Wrap', 2022. Epoxy modelling compound, mouldable plastic, polyurethane pigment, spray paint, construction adhesives, wood, 68 x 31 x 40 cm.
Nabilah Nordin, 'Night Screen', 2022. Welded steel, structural wire mesh, cement, sand, hydrated lime, cement fibres, mortar plasticiser, cement waterproofer, synthetic iron oxide, exterior undercoat, water based acrylic spray paint, exterior paint, concrete sealer, 213 x 68 x 55 cm.
Nabilah Nordin, 'Puzzle', 2022. Epoxy modelling compound, mouldable plastic, polyurethane pigment, spray paint, construction adhesives, wood, 54 x 36 x 42 cm.
Nabilah Nordin, 'Hyperflux', 2022. Epoxy modelling compound, mouldable plastic, polyurethane pigment, spray paint, construction adhesives, wood, 53 x 40 x 27 cm.
Nabilah Nordin, 'Bird Tray', 2022. Epoxy modelling compound, mouldable plastic, polyurethane pigment, polystyrene, spray paint, construction adhesives, wood, 83 x 36 x 40 cm.
Nabilah Nordin, installation view, 'Beyond', Melbourne Art Fair, Melbourne, 2022. Curated by Emily Cormack.
Nabilah Nordin, installation view, 'Beyond', Melbourne Art Fair, Melbourne, 2022. Curated by Emily Cormack.
Nabilah Nordin, installation view, 'Beyond', Melbourne Art Fair, Melbourne, 2022. Curated by Emily Cormack.
Nabilah Nordin, installation view, 'Beyond', Melbourne Art Fair, Melbourne, 2022. Curated by Emily Cormack.
Nabilah Nordin, 'Birdbrush and Other Essentials', 2021–22, Heide Museum of Modern Art, Melbourne. Installation view. Photography: Christo Crocker.
Nabilah Nordin, 'Drooper 216B', 2021. Wood, chickenwire, polyurethane foam, plaster bandage, plaster, epoxy resin, polyurethane pigments, 143 x 54 x 57 cm.
Nabilah Nordin, 'Music Shelf', 2021. Wood, chickenwire, polyurethane foam, cement, sand, house paint, epoxy dough, spray paint, 124 x 51 x 35 cm.
Nabilah Nordin, 'Birdbrush and Other Essentials', 2021–22, Heide Museum of Modern Art, Melbourne. Installation view. Photography: Christo Crocker.
Nabilah Nordin, 'Macaroni Chair', 2021. Welded steel, polyurethane foam, chicken wire, epoxy resin, macaroni, acrylic paint, spray paint, epoxy glass resin, epoxy dough, 164 x 52 x 95 cm.
Nabilah Nordin, 'Birdbrush and Other Essentials', 2021–22, Heide Museum of Modern Art, Melbourne. Installation view. Photography: Christo Crocker.
Nabilah Nordin, 'Birdbrush and Other Essentials', 2021–22, Heide Museum of Modern Art, Melbourne. Installation view. Photography: Christo Crocker.
Nabilah Nordin, 'Domestic Dough Facility', 2021, as part of 'Simmer', Murray Art Museum Albury (MAMA), Albury. Curated by Nanette Orly.
Nabilah Nordin, 'Domestic Dough Facility', 2021, as part of 'Simmer', Murray Art Museum Albury (MAMA), Albury. Curated by Nanette Orly.
Nabilah Nordin, 'Domestic Dough Facility', 2021, as part of 'Simmer', Murray Art Museum Albury (MAMA), Albury. Curated by Nanette Orly.
Nabilah Nordin, 'Paperweight', 2021. Welded steel objects, chickenwire, cement, plaster, house paint and spray paint, 42 x 38 x 14 cm.
Nabilah Nordin, Creamed Angel, 2021. Wood, rope, cement, sand, oxides, epoxy resin, spray paint, paper pulp, construction adhesive, polyurethane sealant, 63 x 37 x 36 cm.
Nabilah Nordin, 'Pyjamas', 2021. Wood, chickenwire, plaster bandage, epoxy resin, sand, polyurethane pigments, spray paint, 43 x 35 x 31 cm.
Nabilah Nordin, 'Making Space', 2021, as part of 'Connecting the World through Sculpture', MUMA, Monash University Museum of Art, Melbourne. Photography, Keelan O’Hehir.
Nabilah Nordin, 'Making Space', 2021, as part of 'Connecting the World through Sculpture', MUMA, Monash University Museum of Art, Melbourne. Photography, Keelan O’Hehir.
Nabilah Nordin, 'Making Space', 2021, as part of 'Connecting the World through Sculpture', MUMA, Monash University Museum of Art, Melbourne. Photography, Keelan O’Hehir.
Nabilah Nordin, 'Floral Trumpet', 2021. Wood, wax, rock, plaster scraps, chicken wire, polyurethane foam, fabric, dried play dough, plaster, glue, spray paint, pigment and epoxyglass, 24 x 25 x 43 cm.
Nabilah Nordin, 'Boiled Egg', 2020. Wood, plaster bandage, plaster, wax, clay mate, chicken wire, polyurethane foam, 76 x 60 x 20 cm.
Nabilah Nordin, 'Smudging Day', 2020. Rickety wood structure (old bed frame), hand sewn doona, cement, sand, smashed-on paper pulp, bonding and sealing agent, crispy play dough, cement based cornflakes, feathers (from feather duster), ‘sample pot’ house paints, plaster and paper porridge pie, egg beater, glass mixing bowl, bottom of bucket leftovers (replica Nerds clumps), pillow insides, old collar shirt/rag, wooden pegs, muddy sock, rope, plaster bandage, screws, soil and sealer paste, polyurethane foam, chrome silver spray paint, chicken wire, miscellaneous filth (snot?), mover’s dolly, spoon, aluminium foil, wire, old milk bottle, bald cap with green gunk applied, rubber band, whisk with curdled hair and jute twine, 212 x 115 x 70 cm. Documentation by Simon Strong.
Nabilah Nordin, 'Moles and Warts', 2020. Wood, plaster bandage, plaster, broom, mover’s dolly, chicken wire, polyurethane foam, metal spoon, 158 x 101 x 60 cm.
Nabilah Nordin, 'Curdled Stone', 2021' Wood, alginate dust, hydrostone, chicken wire, polyurethane foam, pigments and epoxyglass, 30 x 23 x 25 cm.
Nabilah Nordin, 'Anchor', 2021, Wood, chicken wire, polyurethane foam, paper pulp, plaster, house paint, pigments and epoxyglass, 39 x 26 x 37 cm.
Nabilah Nordin, 'An Obstacle in Every Direction', 2019. Singapore Biennale, Singapore Art Museum, Singapore. Installation view. Photography: Singapore Art Museum.
Nabilah Nordin, 'An Obstacle in Every Direction', 2019. Singapore Biennale, Singapore Art Museum, Singapore. Installation view. Photography: Singapore Art Museum.
Nabilah Nordin, 'Peak Performance Plan (Figure Ensemble)', 2016. Installation view from 'The World Precedes The Eye,' Institute of Contemporary Arts Singapore. Documentation by Weizhong Deng.
