Jamie O'Connell
CV
Born 1985 Bolivia Hill, New South Wales, Australia. Lives and works in Naarm/Melbourne, Australia.
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3AM Eternal, 2018, Neon, 130 x 11.5 cm, Edition of 3
Jamie O'Connell, Love Saves the Day, 2020
HD Video, sequenced with kinetic light show and audio composition, modified gallery lighting, 11minutes, 49 seconds
Jamie O'Connell, Enjoy all Monsters (All Night Porch Light), 2020, Modified florescent and UV lights, 135 x 180.5 cm, Ed 1/5, 2 AP
Jamie O'Connell, Double Good, 2020, Modified florescent lights, 135 x 87 cm, Ed 1/5, 2 AP
Untitled (Date Palm Study) #3, 2018, Pencil on tracing paper, collage, 36 x 28 cm
Untitled (Date Palm Study) #8, 2018 Pencil on tracing paper, collage 36 x 28 cm
Every Elvis Auction Ending (Detail), 2014, Printer program, 159kgs of paper, Dimensions variable
More Day Than Beyoncé (trifold leaflet 2/2), 2016, Offset print, 47.5 x 47.5 cm, Unique
Every Elvis Auction Ending (detail), 2014, Printer program, 159kgs of paper, Dimensions variable
More Day (detail), 2016, HD Video, sequenced roller blind 7:30 min, Dimensions variable, Edition 1 / 2 + 2 AP
More Day flipbook, 2016, 10 book volume, 16.5 x 11.5 x 3cm each, Vitrine, 110 x 53 x 32 cm, Edition 1 / 2 + 2 AP
More Day flipbook (detail), 2016, 10 book volume, 16.5 x 11.5 x 3cm each, Vitrine, 110 x 53 x 32 cm, Edition 1 / 2 + 2 AP
Meteorite Drag, 2015, Digital video, 5:33 min looped, Edition of 5, Dimensions variable
Meteorite Drag 1 and Meteorite Drag 2. Both 2018 Assemblage
47.5 x 33.5 cm
Prospect Park, 2018, Installation view
Car Spa, 2014-2018, 1985 VW Cabriolet convertible, fiberglass, mechanical components, water, 138 x 366 x 162 cm
Prospect Park, 2018, , Skates, leggings, soil, grass seeds, Dimensions variable