Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
L-R: Rob McLeish, Sinkhole Holiday (Suspended
Model in Black, 003), 2018, Epoxy resin, steel, 169 x 48 x 35 cm, Nick Ryrie, Shelter, 2018, Acrylic and pencil on MDF, 120 x 90 cm, and Rob McLeish, Sinkhole Holiday (Suspended Model in Black, 001), 2018, Epoxy resin, steel, 175 x 35 x 37 cm
L-R: All works by Benni Bosetto, Untitled, 2017, Ink on paper, Dimensions variable
Installation view
L-R: Masato Takasaka, Post-structural Jam (Shut Up! We know you can play!!!...) once twice three times
, 2009/2012/2016, Archival digital prints on Gloss paper, 119 x 94 cm (each), Vivienne Binns & Geoff Newton, Trucking Detail/Pochoir, 2003, Acrylic on canvas, and Sean Peoples, Squeaky Moon, 2018, Digital video and audio, 7:17 minutes
IL-R: Vivienne Binns & Geoff Newton, Trucking Detail/Pochoir, 2003, Acrylic on canvas, and Sean Peoples, Squeaky Moon, 2018, Digital video and audio, 7:17 minutes
Installation view
Installation view
Installation view
L-R: all works by Rea Burton, Untitled, 2018, Crayon and pen on paper, 20 x 15 cm, Fish Lipps, Hat Power, 2018, Acrylic ink and crayon on paper, 30 x 20 cm, Rea Burton, Well Posed Question, 2018, Felt pen, graphite and acrylic ink on paper, 32 x 22 cm andn Dumb Show (laugh inside), 2018, Crayon and felt pen on paper, 29 x 20 cm
L-R: all works by Rea Burton, Fish Lipps, Hat Power, 2018, Acrylic ink and crayon on paper, 30 x 20 cm, Rea Burton, Well Posed Question, 2018, Felt pen, graphite and acrylic ink on paper, 32 x 22 cm andn Dumb Show (laugh inside), 2018, Crayon and felt pen on paper, 29 x 20 cm
Lou Hubbard, Curtain with Catsuit, 2015, Lycra, Aluminium, cotton onsie, soccerball, Dimensions variable
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Damiano Bertoli, Boots, 2016, Foam, acrylic, paper, 65 x 73 x 66 cm
Lou Hubbard, Curtain with Catsuit, 2015, Lycra, Aluminium, cotton onsie, soccerball, Dimensions variable
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Damiano Bertoli, Boots, 2016, Foam, acrylic, paper, 65 x 73 x 66 cm
Installation view
Installation view (L-R)
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Damiano Bertoli, Boots 2016, Foam, acrylic, paper, 65 x 73 x 66 cm
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Travis MacDonald, The Kisser, 2018, Oil on canvas, 68 x 46 cm
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Travis MacDonald, Valise, 2018, Oil on canvas, 46 x 56 cm
Installation view (L-R)
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Lou Hubbard, Curtain with Catsuit, 2015, Lycra, Aluminium, cotton onsie, soccer ball, Dimensions variable
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Travis MacDonald, Directory, 2018, Oil on canvas 56 x 46 cm
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Damiano Bertoli, Boots, 2016, Foam, acrylic, paper, 65 x 73 x 66 cm
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Travis MacDonald, The Kisser, 2018, Oil on canvas, 68 x 46 cm
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view (L-R)
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Rob McLeish, Sinkhole Holiday (Suspended Model in Black, 002), 2018, Epoxy resin, steel, 188 x 40 x 36 cm
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Peter Moloney, Shallow Bottom…, 2018, Acrylic and graphite on canvas, 40 x 40 cm
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Peter Moloney, Sydney Artist…, 2018, Acrylic and graphite on canvas, 40 x 40 cm
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Peter Moloney, Depravity…, 2018, Acrylic and graphite on canvas, 100 x 100 cm
Installation view (L-R)
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Sean Peoples, Rust Smells Like Blood, 2017, 3D printed plastic, laser cut MDF, Perspex, PVC piping, clock mechanism, found wood, laser prints, 84 x 80 x 25 cm
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Damiano Bertoli, Thin Anxiety/Big Foot, 2011-2018, Bronze
126.5 x 36 x 19 cm
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Dale Frank, Her swollen legs utterly dwarfing others, 2014
Varnish on Perspex, 214 x 214 cm
Installation view
Installation view
Installation view
Installation view
L-R: Dale Frank, Her swollen legs utterly dwarfing others, 2014, Varnish on Perspex, 214 x 214 cm, and
Dale Frank, Dream on the shore Lake Mungo, 2017, Plastic coated wire, Campana brothers Corallo, 277 x 168 x 104 cm
Installation view
Installation view
Elizabeth Newman, Untitled, 2007, Hoop pine plywood, cedar, electrical fittings, fluorescent tubes, 150 x 100 x 9.5 cm
Installation view
Installation view
Installation view
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Dan Arps, Sleep (Chrome), 2018, Polyurethane and paint with aluminium support, 125 x 105 x 25 cm
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Janet Burchill & Jennifer McCamley, Falling water (1), 2015
Cement, dye print on fabric, car seat, 143 x 94 x 55 cm
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Erica McGilchrist, Ambiguous Objects No. V, 1969, Print on paper, 40 x 26 cm
Installation view
Janet Burchill & Jennifer McCamley, Falling water (1), 2015, Cement, dye print on fabric, car seat, 143 x 94 x 55 cm
