Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Ruth O'Leary,
Self-portrait as construction site,
2015,
Digital Type-C print,
111 x 75 cm,
Edition 1/2 + 1 AP
Lisa Radford,
Untitled (dying wasp),
Acrylic on board,
102 x 72 cm
Dan Arps,
Untitled (Genesis II),
2008,
Acrylic on found poster,
89.5 x 62.5 cm
Elvis Richardson,
All the mentioned women in ten different issues of Art and Australia 1992-4,
2014,
Collage on boxboard,
120 x 80 cm
Elvis Richardson,
All the mentioned women in ten different issues of Art and Australia 1992-4,
Collage on boxboard,
120 x 80 cm
Joseph Beuys,
Honigpumpe am Arbeitsplatz (Honey Pump in the Workplace),
Documentary photographs by Caroline Tisdall of Beuys,
1977 action performance at Documenta 6
Joseph Beuys,
Honigpumpe am Arbeitsplatz (Honey Pump in the Workplace),
Documentary photographs by Caroline Tisdall of Beuys,
1977 action performance at Documenta 6
Ruth O'Leary,
Breast Piece,
2017,
Digital Type-C print,
92 x 63 cm,
Edition 1/2 + 1AP
Pat Larter,
Brent in Leather,
1993,
Laser prints, acrylic and glitter on board,
122 x 92 cm
Janet Burchill & Jennifer McCamley,
Untitled (your comfort is my silence),
2009,
Silkscreened sari,
540 x 116 cm
Janet Burchill & Jennifer McCamley,
Untitled (imitation of life) (yellow),
2009,
Silkscreened sari,
540 x 116 cm
James Lynch,
Quakers,
2009,
Oil on canvas,
76 x 91.5 cm
Claire Lambe,
Manual of Instruction,
Type-C print mounted on Dibond,
77 x 179.5 cm,
edition 1/3 + 2AP
Claire Lambe,
Manual of Instruction,
Type-C print mounted on Dibond,
edition 1/3 + 2AP,
77 x 122 cm
Damiano Bertoli,
Continuous moment, le desir,
2016,
Collage on plywood,
2 panels (each 60 x 50 cm)
Damiano Bertoli,
Continuous moment, le desir,
2016,
Collage on plywood,
2 panels (each 60 x 50 cm)
Vivienne Binns,
Gingham Thread,
1999,
Acrylic on canvas,
30.5 x 40.5 cm
Janet Burchill & Jennifer McCamley,
Untitled (imitation of life) blue,
2009,
Silkscreened sari,
540 x 116 cm
Jan Lucas,
Various ceramics,
Dimensions variable
Jan Lucas,
Various ceramics,
Dimensions variable
Jan Lucas,
Various ceramics,
Dimensions variable
Richard Larter,
Pat,
1966,
Synthetic polymer paint on hardboard,
121 x 61 cm
Lisa Radford,
Dear Masato, all at once (get a life, the only thing that cuts across the species is death),
Script extract,
29.7 x 21 cm,
Edition of 200
Elizabeth Newman,
Enemy of the state,
In collaboration with FFIXXED,
Printed silk t-shirt
Mike Brown,
Mountain of Love II,
1987,
Acrylic and collage on paper,
30 x 76 cm
Mike Brown,
Twinkle,
1965,
Synthetic polymer paint on board,
76 x 76 cm
Mike Brown,
Mountain of Love III,
1987,
Acrylic and collage on paper,
39 x 32 cm
Paul Yore,
Mother Tongue,
2017,
Mixed media textile, beads, buttons, sequins, acrylic, enamel, watercolour and found objects,
348 x 212 cm (irreg.)
Pat Larter,
Up Close So Good,
1996,
Superscan, acrylic, glitter, plastic jewels on canvas,
124 x 94 cm
Pat Larter,
Purple Haze,
1993,
Mixed media painting,
92 x 61 cm
James Lynch,
Quakers,
2009,
Oil on canvas,
76 x 91.5 cm
James Lynch,
Riot at IMAX,
2009,
Oil on canvas,
76 x 91.5 cm
Trevelyan Clay,
Switching to Saxophone,
2017,
Mixed media on board,
92 x 62 cm
Taree Mackenzie,
Untitled,
Photographs,
15.5 x 10.5 cm each
Blair Trethowan,
Untitled (Queen's Teeth),
2005,
Folded five dollar note on bark,
128 x 28 cm
Blair Trethowan,
Untitled (fuck in the backseat),
2005,
Stickers on bark,
140 x 31 cm
Katrina Dobbs,
Untitled (Chux paintings),
2016,
Oil paint and cotton cloth,
167.5 x 177 cm each,
167.5 x 352 cm total
Elizabeth Gower,
Untitled,
1973,
Synthetic polymer paint on canvas,
168 x 168 cm
The Kingpins,
Welcome To The Jingle, Production still,
2003
Nadine Christensen,
Wheel barrow (clumping),
2016,
Mixed media,
160 x 70 x 75 cm (approx.)
Stuart Ringholt,
Nudes,
2013,
Collage,
40.5 x 39.5 cm
Stuart Ringholt,
Nudes,
2013,
Collage,
40.5 x 39.5 cm
Alex Vivian,
A morsel/ snippet of information from the Cosmopolitan Lovers guide 1993, accompanied with objects (to be used),
2017,
Vacuum, Kraft Mayonnaise buckets, canvas, acrylic paint, lead pencil,
Dimensions variable
Lisa Radford,
Dear Lisa, from cast and crew, 2016,
T-shirt, iron on transfer
Janet Burchill & Jennifer McCamley,
Hate, Kill, Falsity (Sturtevant, The Brutal Truth),
2012
Hessian and acrylic on moulded plywood,
135 x 86 cm
Nadine Christensen,
Hourglass arrangement,
2012,
Acrylic on board,
150 x 120 cm
Linsey Gosper and Jack Sergeant,
Eye,
2015,
Type-C print,
60 x 47.5cm,
Ed 1/3 + 2 AP
Lucina Lane,
Man Alone with Himself,
2017,
Pencil on canvas,
74 x 96 cm
Adele Mills,
Moving through phone,
2015,
with Jimmy Nuttall and Lauren Burrow,
Dual channel HD video,
Edition of 3 + 1AP
Mike Brown,
On Revival Day,
1965,
Oil on canvas,
91 x 91 cm
Richard Larter,
Gina + 4,
1993,
Acrylic, gesso, metallic paint and glitter on canvas,
115 x 86 cm
Kate Smith,
Witch
2014,
Acrylic on canvas on aluminium,
20.5 x 40.8 cm
Kate Smith
Yokes and Yokes
Acrylic on canvas on aluminium
41 x 40.8 cm
Blair Trethowan,
Untitled (Nat and Ali),
Synthetic polymer paint on canvas,
61 x 51 cm
Rammey Ramsey,
Melon Patch (Warlawoon Country),
2010,
Synthetic polymer paint on board,
60 x 80 cm
James Lynch,
Tom and Bloody Kennett,
2009,
Oil on canvas,
91.5 x 76 cm
Dale Frank,
That fucking painting,
1996,
Acrylic on two people engaging in sex in numerous positions directed by the artist in the
open air on woven dyed fibreglass,
260 x 360 cm
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Lorna Fencer Napurrula,
Bush Potato,
2004,
Synthetic polymer paint on canvas,
76 x 46 cm
Matthew Griffin,
Remain untamed,
2004,
Type-C print,
64 x 52 cm
Matthew Griffin,
Spare girlfriend,
2004,
Type-C print,
64 x 52 cm
Trevelyan Clay,
Nakey Nakey Nakey,
2017,
Mixed media on board,
92 x 62 cm
Nell,
CHECKERBOARD CHICK,
2010,
Acrylic and pencil on canvas,
137 x 101.5 cm
Nell Pearson,
Filled with itself,
2017,
Oil on canvas,
35 x 40 cm
Richard Larter,
Pat after the meal,
1994,
Acrylic on canvas,
90.5 x 110 cm
Pat Larter,
Almost Loop the Loop,
1994,
Mixed media painting,
91 x 122 cm
Pat Larter,
Crackin' up,
1993,
Mixed media,
91 x 62 cm
Pat Larter,
Image Maker Number 2,
1995,
Laser prints, acrylic and glitter on board,
121 x 91 cm
Peter Maloney,
Red Hot Hill Flattener,
2014,
Acrylic on polyester,
170 x 130 cm
Peter Maloney,
Black Sheep - White Goat,
2014,
Acrylic on polyester,
170 x 130 cm
