Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Dale Frank, Panadeine Forte Demons, 2018,
Painted masks, Epoxyglass on perspex, 200 x 180 cm
Dale Frank, Sometimes it’s hard being nice,
2018, Pearlescent varnish and varnish resin hardener on Epoxyglass on perspex, 160 x 120 x 12 cm
Gavin Bell, Jarrah de Kuijer
& Simon McGlinn (Greatest Hits), Bird feeder (Ritalin I), 2018, Polystyrene foam, filler, polyurethane coating, automotive paint, 120 x 65 x 60 cm
Kieren Seymour, War, 2018, Digital print on archival rag, 134 x 111 cm, Ed 2/3 + 1AP
Matilda Davis, Installation view
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Book depository), 2018,
Poplar plywood, paint, 74 x 74 x 71.5 cm
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Chest), 2018,
Fiberglass, paint, 76 x 58 x 74 cm
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Butter churner), 2018,
Wood, steel, resin, paint, 50 x 32 x 40 cm
Gavin Bell, Jarrah de Kuijer
& Simon McGlinn (Greatest Hits), Bird feeder (Casket), 2018, Wood, metal, fabric, window, 120 x 54 x 78 cm
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Money box), 2018,
Foam, 64 x 58 x 140 cm
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Ritalin II), 2018,
Polystyrene foam, filler, acrylic paint, steel, Magic band 2, 68 x 80 x 40 cm
Kieren Seymour, Unique Party, 2018, Digital print on archival rag, 93.5 x 135 cm each, 187 x 135 cm overall,
Ed 1 + 1AP
Gavin Bell, Jarrah de Kuijer
& Simon McGlinn (Greatest Hits), Bird feeder (Ritalin I), 2018, Polystyrene foam, filler, polyurethane coating, automotive paint, 120 x 65 x 60 cm (front)
Rose Nolan, Big Words - UP DATE/DOWN LOAD (Circle work), 2014, Acrylic on hessian, 310 x 220 cm,
Courtesy the artist & Anna Schwartz Gallery (back)
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Safe), 2018, Safe, 90 x 36 x 45 cm
Matilda Davis, Anticipation in its verbal form belongs to the past present and future, 2019, Oil on canvas, trim, 40 x 30 cm
Matilda Davis, Through painful rapture comes direction, 2019, Oil on canvas, pins, 40 x 30 cm
Matilda Davis, You come to this place and make a choice, 2019, Oil on canvas, shell, feather, 40 x 30 cm
Matilda Davis, You come to this place and make a choice, 2019, Oil on canvas, shell, feather, 40 x 30 cm
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Tortoise), 2018,
Fiberglass, paint, 86 x 108 x 65 cm
Installation view
Susan Norrie, Les Romans de cape et d’epee IV, 1987,
Oil and encaustic on canvas, 245 x 197.5 cm, Private collection Melbourne
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Server cage), 2018
Steel, paint, bird whistles, 60 x 58.5 x 103 cm
Gavin Bell, Jarrah de Kuijer & Simon McGlinn (Greatest Hits), Bird feeder (Wolf), 2018, Foam, synthetic fur, fabric, 60 x 55 x 40 cm
Pat Larter, Image Maker No.2, 1995, Laser prints, Acrylic and glitter on board, 122 x 92 cm, Courtesy Watters Gallery
Rob McLeish, Hanging Arrangement, 2017, Epoxy resin, 155 x 85 x 16 cm
Viv Miller, Enter, 2015, Oil, enamel, acrylic and pencil on canvas, 180 x 150 cm
Viv Miller, Growth, 2016, Oil, enamel and pencil on linen, 41 x 30.5 cm
Rose Nolan, Big Words - UP DATE/DOWN LOAD (Circle work), 2014, Acrylic on hessian
310 x 220 cm, Courtesy the artist & Anna Schwartz Gallery
Paul Yore, WHEN WILL IT END, 2014, Mechanised parts and mixed media, Dimensions variable
Robert Rooney, Pilkington Predicts: more family security through safety glass door, 1982, Silkscreen on paper, 64 x 48cm, Ed 6/20
Robert Rooney, Pilkington Predicts: in years to come,
1982, Silkscreen on paper, 64 x 48 cm, Ed 6/20
Robert Rooney, Pilkington Predicts: the progress of your firm will be symbolized this way, 1982, Silkscreen on paper, 64 x 48 cm, Ed 6/20
