Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Janet Burchill, Bed Body Block (After Fuseli), 1991, Acrylic and s.p. ink on passepartout, 77 x 97 cm
Burchill / McCamley, Little Pictures for the Pissed Off, 1993, Type on passepartout, 37 x 29 cm
Burchill / McCamley, Little Pictures for the Pissed Off, 1993, Type on passepartout, 37 x 29 cm
Janet Burchill, The temptation to exist etc., 1990, Colour screenprint on zinc coated steel, 70 x 100 cm , 9 parts
Janet Burchill, The temptation to exist etc., 1990, Colour screenprint on zinc coated steel, 70 x 100 cm
Cosey Fanni Tutti, Piccadilly International Vol. 10, No.10, 1976, Magazine print, 4 parts, each 164 x 120 cm, Courtesy the artist and Cabinet Gallery, London
Cosey Fanni Tutti, Piccadilly International Vol. 10, No.10, 1976, Magazine print, 4 parts, each 164 x 120 cm, Courtesy the artist and Cabinet Gallery, London
Cosey Fanni Tutti, Piccadilly International Vol. 10, No.10, 1976, Magazine print, 4 parts, each 164 x 120 cm, Courtesy the artist and Cabinet Gallery, London
Cosey Fanni Tutti, Piccadilly International Vol. 10, No.10, 1976, Magazine print, 4 parts, each 164 x 120 cm, Courtesy the artist and Cabinet Gallery, London
Cosey Fanni Tutti, Installation view
Lynda Benglis, Female Sensibility, 1973, 14 min, colour, sound, Courtesy of Video Data Bank, Chicago
General Idea , Test Tube, 1984, 28:15 min, colour, sound, Courtesy Electronic Arts Intermix, New York
Benglis 73 / 74, Installation view
Benglis 73 / 74, Installation view
Jeff Koons Studio, La Cicciolina, 1991, Photographed by Annie Leibovitz, with 8 studio Xeroxes, 21 x 14.8 cm
Jeff Koons Studio, La Cicciolina, 1991, Photographed by Annie Leibovitz, 21 x 14.8 cm
Sarah Lucas, Bucket of Tea, A
1993-2013, Four cut colour photographs on red Perspex, chrome tubing, wire, dimensions variable,
Courtesy Sadie Coles HQ, London
Noël Skrzypczak, Deep Fall, 2014, Synthetic polymer paint on canvas, 188cm x 146cm
Noël Skrzypczak, Heart of Glass, 2013, Glass, soap, silicon and wax, 120 x 60 x 17 cm
